Horde, The

When a group of students and their teacher are tortured by a horde of inbreed mutants, Navy Seal John Crenshaw becomes their only hope.
John, an ex-Navy Seal, accompanies his girlfriend and her students on a weekend photography trip deep into the woods. But this educational and fun-filled weekend quickly turns into a nightmare as the group is besieged by an unspeakable evil – a horde of hideously disfigured, mutated humans with an insatiable taste for blood. As things go from bad to worse, John becomes their only hope if they are going to get out alive.
“From the first attack on the camp to the very final moment, THE HORDE is nonstop action and chilling scenes that will have you yearning for more. It goes beyond action and horror and keeps you engrossed with all the details that keep moving the story forward. Once the movie is over you’ll need eye drops to get the red out from not blinking for 87 minutes.” – B Movie Nation
“I know that this particular review may be a bit on the condensed side, but it has absolutely NO bearing on how much fun this film is. Take my word for it: If it’s a popcorn flick that your heart’s desiring, might I request you spend a little time with The Horde? Recommended.” – Dread Central
“Horror fans like two things. Something they are familiar with or something unique that its groundbreaking. Here we sort of get both, with a familiar horror structure but ingredients of originality to it with its action set pieces. It’s also beautifully filmed, showing us everything we need to see, but also showing us moments that made me turn away. Ouch! Loved it.” – From Page 2 Screen

Ankle Biters

Four adorable little girls plot to murder a hockey player after they mistake an act of lovemaking as an attack on their mom.
Sean Chase, a former pro hockey enforcer, has fallen in love with Laura Haywood, a widowed mother of four young daughters. Sean decides to leave his reckless life behind and start a family with Laura. So he charges in prepared to give it his all. Then he meets the girls, and despite the mom’s assurances, these four adorable creatures are unsettled by Sean’s presence. When they see what this love really looks like in a sex video on their mother’s phone, they assume the worst. What the girls do to protect their mom has shocking and horrific results.
“’Ankle Biters’ is a fun and completely twisted cinematic treat.” – Reel Reviews
“’Ankle Biters’ goes places you’re certain it won’t. It expertly toes the line between these points that is often difficult for movies to get right, leaving you with the same ‘let’s do that again’ thrill and fear felt after going on a roller coaster ride. You’ll be laughing, cringing, and gasping, and not necessarily understanding why.” – Horror Buzz
“A deliciously dark comedy, ‘Ankle Biters’ has set out to above all entertain – which it does thanks to a script full of twists and surprises, a direction that keeps flowing at a steady pace, and a very competent relatable ensemble cast.” – Search My Trash

Stomp! Shout! Scream! (Monster Beach Party)

A beach party rock and roll monster movie, is set in 1966 and features an all-girl garage rock band and the legend of the Skunk Ape.
Creatures, cops, and chaos all collide when The Violas tour van breaks down in a Florida beach town circa 1966. The all-girl rock band agrees to perform at a mechanic’s party in exchange for him repairing their van. Will the hijinks of Skunk Ape sightings and the local police investigation strand the Violas or will the show (and their tour) go on?
“I’m still trying to wrap my brain around the concept of how independent filmmakers with limited resources are so able to achieve the sixties camp value and genuine atmosphere of the kitschy sock hop era so easily, and yet studios with bloated budgets really can’t hit that mark. I really enjoyed this in all its demented straight faced glory. John Waters would be proud.” – Cinema Crazed
“The visual design and the narrative of the film accumulate into a sweet can of camp, making ‘Stomp! Shout! Scream!’ a ridiculously delightful cinematic experience. One mustn’t forget the music, courtesy of Catfight, The Woggles, The Evidents, The Vendettas, The Penetrators… When the ending credits roll, you will feel such a strong urge to stand up, shift your weight from hip to hip, and chant ‘stomp,’ ‘shout,’ and ‘scream’ to the intermittent clapping of your own hands.” – Film Threat
“The weird and wonderful 60sesque world of Stomp! Shout! Scream! Jay Wade Edwards’ love letter to the bad monster/beach party/rock and roll movies of yesteryear.” – NeedCoffee.com

Nothing Left to Fear

When opportunity knocks, a young down-on-their-luck family packs up their home and moves halfway across the country to re-root themselves into an idyllic little town filled with hopes of a better life.
Wendy, her husband Dan, and their kids have just moved to the small town of Stull, Kansas, where Dan is the new pastor. But in this sleepy community of friendly neighbors,a horrific series of occurrences awaits them. Their teenage daughter is being tormented by grisly visions. Her younger sister has been marked for a depraved ritual. And deep within the heartland darkness, one of The Seven Gates Of Hell demands the blood of the innocent to unleash the creatures of the damned.
In the first of a slate of horror films from production company Slasher Films (founded by rock legend Slash), Gore Verbinski’s protégé and visionary director Anthony Leonardi, bring us a terrifying and bloodcurdling vintage horror film.
“A complicated discourse on the contradictions to be found in faith, superstition and the easy manipulation of both, making Nothing Left to Fear a timely reflection of the polarised ‘culture wars’ that dominate America’s political landscape. A far better remake of The Wicker Man (1973) than its official 2006 iteration.” – Sight and Sound
“The film in its entirety works very well; it is enjoyably moody and steady, two qualities often lacking in today’s forced Horror landscape.” – Blu-ray.com
“The acting is pretty good, feeling natural and never hammy. The Film is interestingly-paced, it slowly builds to something interesting and sticks with it for a while. It has a good climax, even. An actually good film that works.” – Mondo Bizarro

Modern Vampires

A borderline fascistic Dr. Van Helsing unwittingly hires crack smoking gang-bangers to pursue the decadent vampires who secretly control Hollywood and the United States.
Count Dracula is in L.A., running a hideous club scene, and he’s angry that a rogue vampire, posing as a streetwalker, is slashing. He’s also unhappy that Dallas, a youthful undead and former protégé, is in town. The rogue slasher, Nico, serendipitously picks Dallas as a victim; after discovering each other’s nature, they become lovers. In fear of the Count, Dallas’s coterie urges him to kill Nico, but he refuses. Meanwhile, a Viennese vampire hunter, Van Helsing, arrives in L.A. and hires the Crips to help him. They’re soon following Nico and Dallas. When they capture her, Dallas wants to deal: spare Nico and he’ll lead the hunters to Dracula. It’s time for stake and bake.
“Richard Elfman’s idiosyncratic horror-comedy has creatively crude ideas, a trashy charm and a fair amount of showmanship for the pure entertainment.” – Actionfreunde.de
“It is a funny and schlocky film that takes an ironic look at the vampire genre. It is by far the most satiric horror movie that crossed my path in a long time, and its unexpectedness added to its appeal. If you haven’t seen any good horror spoofs lately, this one has a good bite!” – DVDReview.com
“Biting postmodern vampire satire that is trashy enough to get you smiling, but intelligent enough to sink your teeth into.” – MovieGazette.com

Dread

Three college students set out to document what other people dread the most. However, one of the three turns out to secretly be a sadistic psychopath who uses this knowledge to gruesomely torture the subjects.
In this twisted psychological thriller two college students – outcast Steve and charming, mysterious Quaid – embark on a college project to record and study people’s innermost fears. Enlisting the help of fellow student Abby, they advertise for interviewees and set the camera rolling as their subjects begin to reveal the demons that haunt them. As the project gains momentum, however, it becomes apparent that the three must now face up to the traumatic events of their own pasts and finally confront their darkest fears.
Based on an original short story by horror icon Clive Barker.
“Dread was an atmospheric fear ride through human horror that gives the genre another modern classic. A must see for fans of independent films and Horror films alike.” – Blood Brothers
“If this movie doesn’t end up in my top 5 for the year, then by default 2009 would have to be the best year for horror movies ever.” – Horror Movie A Day
“Dread is a superbly crafted tale of the very roots of fear and manages to be both disturbing and utterly compelling. Hinged largely on the excellent performances of its cast, it also has a fantastic soundtrack, some genuinely shocking moments and a plausible script written by DiBlasi. The pacing is near perfect as it never slows down to a crawl but still allows its characters room to breathe whilst ramping up some serious tension. It’s a standout piece that’s miles away from the usual fare that centres around college students. Do yourself a favour and watch it.” – Gore Press

Dead Rising: Watchtower

An ineffective vaccine fails to stop an epidemic which is turning people into zombies. The survivors organize themselves to escape from the living dead.
Chase Carter is a journalist for an online news outlet covering the outbreak on the inside of the quarantine zone, and with Zombrex no longer an option, the zombies start increasing in number. Chase teams up with another survivor, who has previously been bitten and relies on Zombrex, as they try and get out of the quarantine zone. But, it’s not going to be that simple. As well as hordes of zombies to get through, there’s the slightly less stable members of society taking advantage of the situation.
“Director Zach Lipovsky manages to bring enough blood and guts that many zombie movies seem to be missing of late but also brings a central bunch of characters who the audience can actually root for. In an ideal world, I’d like to see WATCHTOWER become the feature length pilot for a series that could finally bring a rival to that other zombie TV show.” – BloodGuts UK Horror
“Without a doubt the most entertainment comes from Rob Riggle’s Frank West. Some of his advice and anecdotes are absolutely hilarious. I had a good time with this film generally. Definitely worth a look.” – Kneel Before Blog
“It’s got this casual vibe that makes it really easy to follow and watch. There’s also a lot of humor pushing it straight to the horror/comedy genre. The action is quite brutal and there’s a lot of gore, as it should be in this type of movie. Dead Rising is a nice addition to the zombie horror-comedy subgenre.” – Rabbit Reviews

Residue

The government cover-up of the causes behind a massive explosion in a futuristic UK metropolis spur photo journalist Jennifer Preston on to search for the truth and in the process blow open a paranormal phenomenon haunting the city.
Renowned photojournalist Jennifer Preston is investigating the aftermath of a freak explosion of unknown origin at the center or her thriving city. Known simply as ‘the Catastrophe’, this shocking tragedy has left behind a festering wound on the city’s psyche: a several square mile Quarantine Zone of evacuated buildings and abandoned streets. Nobody in, nobody out. With unexplained and increasingly bizarre acts of violence happening across the city, Jennifer begins to see strange ephemeral phantoms in her photographs. She soon becomes obsessed with the idea that a paranormal phenomenon has been unleashed. Jennifer’s investigations become a race against time to uncover the truth before her career, and eventually her own life, are in danger…
“Built upon plenty of moody suspense, brilliant characterisation makes every bit of patience worthwhile. Emotional investment comes naturally, courtesy of nuanced back stories and acting. Visually, there is much to savour as well.” – The Umlaut
“Residue deserves credit for building a new, vibrant world and creating a story which draws upon ideas seen in other films but presents them in a way which feels fresh and invigorating.” – Porzio’s Portfolio
“The atmosphere drips with skin-crawling suspense, as the locations bring a tangible sense of realism (and peril) to the weirdness.” – Vodzilla.co

Daisy Chain, The

A grieving couple moves to a remote Irish village in the wake of their baby daughter’s death. They soon take in an orphaned autistic girl, only to become involved in a series of strange occurrences.
Martha is an emotionally fragile mother who moves to a remote Irish village with her husband Tomas following the tragic death of their baby daughter. Whilst there, the couple decides to take in a disturbed and orphaned autistic girl called Daisy. Uncommunicative and greatly scarred by the violent death of her parents, Daisy gradually warms to her new surroundings. But, as a series of strange occurrences begin to be linked to the little girl, Martha and Tomas begin to hear rumors from the locals that Daisy might be something far more malevolent than she seems.
“There is that tension in the air that never leaves due to the hauntingly beautiful countryside backdrop, the dark, bleak atmosphere, and the superb performance of the actors in the film.” – Horror Movie Reviews
“It is entertaining and between Samantha Morton’s touching acting and the beautiful Irish back drop it is well worth seeing.” – The Movie Scene
“It’s a tense, psychological thriller about a community taking itself to increasingly bizarre conclusions, and the audience is merely an extension of that Irish community. It was a great film.” – Wizzley

Perfect Skin

Her body will be his canvas.
Katia Matuschak, 18, a Polish ex-au pair is now adrift in London. She befriends Bob Reid, a seemingly friendly tattoo artist but Bob is not who he seems to be. His life is spiraling out of control and in his final attempt to fulfill his dream he kidnaps her, intending her to be his muse for his lasting work of art.
“’Perfect Skin’ is an extraordinary directorial debut. Spellbinding cinematography and Richard Brake’s arresting performance guarantee this film will get under your skin.” – Dread Central
“First-time director Kevin Chicken has crafted a film of true beauty, complimented perfectly by Richard Brake at his absolute best. Vastly different from his previous standout role of Doom-Head, Brake’s turn here is simply superb.” – THN
“A darkly voluptuous visual sense pervades director and co-writer Kevin Chicken’s disturbing horror thriller ‘Perfect Skin’. It’s so richly, perversely eye-pleasing, in fact, that it makes the equally entrancing story and performances even more compelling and almost seductive.” – HK and Cult Film News

Mr. Jones

A terrifying nightmare that’s so real, even daylight brings no relief.
Scott and Penny just moved to a remote cabin to escape the pressures of the world and breathe new life into their art. Their only neighbor for miles is a strange hermit who only comes out at night, under the shroud of darkness. He never acknowledges them, never speaks, never does anything except drag his strange, disturbing sculptures deep into the woods, night after night, without rest. As Scott and Penny get deeper into his world, they start to suspect that this man is actually an infamous, reclusive artist known only as “Mr. Jones”, and they’ve stumbled across a once-in-a-lifetime opportunity to document his bizarre existence. But this is only the beginning. When Scott and Penny delve too deeply into Mr. Jones’ existence, everything around them turns in on itself – and their only escape is through the realm of their own nightmares…
From the producer of Sundance smash hit The Pact and the writer of Xavier Gens, The Divide, “Mr. Jones” is “Cabin in the Woods” meets “Jacobs Ladder”.
“It’s creepy, it has great acting, a unique storyline, and it is the kind of film you can discuss with people long after it’s over and still find new things to talk about.” – The Blogging Banshee
“It’s best to go into ‘Mr. Jones’ knowing as little as possible. It can only help when watching Mr. Jones, which takes likable characters and distinctly creepy imagery and applies them to a story that becomes quite the head trip. To say much more would spoil the fun.” – Vox
“’Mr. Jones’ will keep you compelled, mainly for Mueller’s excellent direction and ability to build a world mainly out of light, and stark colors. And though the path to uncovering the mystery is quite a task, I found the resolution satisfying. ‘Mr. Jones’ is worth a look for its atmosphere, and valiant attempts at supernatural and meta-storytelling.” – Cinema Crazed

Diabolical,The

Madison is awoken nightly by an increasingly strange and intense presence. She seeks help from her scientist boyfriend Nikolai, who begins a hunt to destroy the violent spirit that paranormal experts are too frightened to take on themselves.
Madison Heller is a recent divorcee, struggling to cope with two children and trying to maintain a mortgage on her own. At the same time, she is being terrified by the appearance of strange and bloodied figures within the house. These even cause two ghostbusters she brings in to flee. With the help of Nikolai, her children’s teacher and boyfriend, she tries to get to understand what the figures are and discovers a surprising scientific reason behind them.
“This is a thoroughly enjoyable film. Some of the more attentive audience members may guess the ending at around the halfway point, but even then, there’s still enough reason to keep watching.” – Bloody Disgusting
“The Diabolical has an unexpected surprise in store for anyone settling in for straightforward supernatural thrills. One of a classically creepy chiller with a sleek streak of sci-fi suspense.” – Culture Crypt
“The Diabolical starts out as one kind of movie and ends up another, and that’s perfectly fine. More than fine, actually; it’s great. It’s better than one more creaky-floorboard, slamming-door ghost movie that ends with a stereotypical exorcism scene. Track down The Diabolical and see it.” – Film Fracture